“Cowboy Kind of Woman”
I want to be a straight-talking, fast-walking,
Tobacco-spitting, tattoo-getting,
Motorcycle driving, highway riding,
Honky tonking, barroom brawling…
Well, I want to be a cowboy kind of woman
I’ll try and talk a little too loud and get along with the lowdown crowd
But y’all got room for one more cowboy kind of woman?
A cowboy woman, a cowboy woman!
A cowboy woman, a cowboy woman!
I want to be a straight-walking, fast-talking,
Desert-drifting’, bottle-smashing —
Don’t call me a cowgirl, I ain’t your gal —
Bareback-riding, no-time-biding…
Well, I want to be a cowboy kind of woman
I’ll try and talk a little too loud and get along with the lowdown crowd
But y’all got room for one more cowboy kind of woman?
A cowboy woman, a cowboy woman!
A cowboy woman, a cowboy woman!
I’ll try and talk a little too loud and get along with the lowdown crowd
But y’all got room for one more cowboy kind of woman?
But I’m just another do-right kind of woman
“When I See the Jordan”
Mama told me about the desert where the Israelites roamed
And that desert is where I’m bound to go
I know that’s where they suffered and many died
They saw no lily of the valley, not with earthly eyes
But when I see the Jordan, feel its cool river flow
When I see the Jordan I’ll know I’m headed home
Home
I have dreamt of its plains, of its waters and its trees
And I will dream of that desert until its sands I see
When I see the Jordan, feel its cool river flow
When I see the Jordan I’ll know I’m headed home
Home
“Brother, Sister, Two of One Kind”
You’re Virginia in autumn, Charlottesville in the rain
Camel cigarettes, unending pain
That red Tercel, it was a 1993
We tooled around, for once just you and me
Your life and mine, fundamentally intertwined
Brother, sister, two of one kind
The tie is severed but these are the ties that bind
One is lost, the other left behind
I saw Dune in the theater with my college friends
They didn’t like it but I went and saw it again
Timothee Chalamet seemed so young at 25
But that’s about the age you were when you died
Your life and mine, fundamentally intertwined
Brother, sister, two of one kind
The tie is severed but these are the ties that bind
One is lost, the other left behind
I think maybe we’d have been anarchists together
Denied the government and all modern technology
Maybe we’d have come together on our own
Just two old friends who talk on the phone
Your life and mine, fundamentally intertwined
Brother, sister, two of one kind
The tie is severed but these are the ties that bind
One is lost, the other left behind
“Real Man's Daughter”
See “The Paterfamilias.”
“Plow Song”
I’ll work these fields until I die, just like my fathers before me
I’ll work these fields until the day He comes for me in glory
From this weary world I’ll flee
And His marked hands I’ll see
Here I’ve seen the lilies grow and die in the winter
But to a land I go where lilies die no longer
From this weary world I’ll flee
And His markèd hands I’ll see
Bury me next to my brother and my mother too
There they lie with my grandfather and I will lie there too
From this weary world I’ll flee
And His markèd hands I’ll see
From this wicked world I’ll flee
And I’ll tread those golden streets
From this weary world I’ll flee
“Yellow Sweater”
A little yellow sweater
With sleeves not too long
And a collar that is ribbed
Inside its threads I would live
When I get that sweater
Things will be as they should
When I get that yellow sweater
My life will be good
Maybe I’ll sit in an English garden
On a great and old estate
With follies and ancient oak trees
All of which from tall glass windows can be seen
Or I’ll be a 1990s dream queen
Draw attention with a wit so keen
And dark hooded eyes
I’ll stand under street lamps and cry
When I get that sweater
Things will be as they should
When I get that yellow sweater
My life will be good
I’ll travel along
Riding subways and trains
With my film camera and my analog watch
I’ll cross Europe with peering eyes and pensive thought
Or I’ll be a folk singer
Greenwich Village, 1963
With a big black coat pulled tight against the cold
I’ll argue about Tolstoy and poems of old
When I get that sweater
Things will be as they should
When I get that yellow sweater
My life will be good
When I get that yellow sweater
My life will be good
“Oh to Love the Suwannee”
I want to live in New York City with a fire escape or write for the movies out in LA
My little life will never be enough for me
I’ve already left town but I want to get farther—get far, far away from the swamps and the water
Even though in my dreams they call my name
Not sure I got a home—no, no, not really—from Virginia down to Florida then up the coast to Philly
Maybe next it’ll be Vienna or Tennessee
Oh, to live a glorious life
To love the mockingbird and the bird of paradise
Oh, to live a glorious life
But love the Suwannee and let it suffice
I drive past Cassadaga on a regular Tuesday, got existence on my mind
I wonder what it’s all for and if this will be my life
‘Cause I want to be the next Steve Martin or the next John Wayne, want all kinds of people to know my name
And be interviewed from my Bel Air home in my old age
I want to do it for the memories, want to do it for the stories, want to do it for the worldly, transient glory
Though I figure it’s little to do with eternity
Oh, to live a glorious life
To love the mockingbird and the bird of paradise
Oh, to live a glorious life
But love the Suwannee and let it suffice
I want to know what the mountaintops feel like in the heavens, wonder what it’d be like if the earth took my skin,
If I pressed my hand into a tree and never moved again
But still I dream of ivory towers and a well-lit stage, I dream of the rivers up in Washington state
Wish my own could satisfy me
Oh, to live a glorious life
To love the mockingbird and the bird of paradise
Oh, to live a glorious life
But love the Suwannee and let it suffice
I want to live in New York City with a fire escape or write for the movies out in LA
“Florida Song”
Old sand roads shaded under trees
Orange groves, crystalline streams
Pale pink houses and seedy motels
Bent live oaks even hurricanes couldn’t fell
Sun showers and wicked storms
Blue green waters and all the life they’ve borne
The land of marshes where the St. Johns winds away
Where it’s always hot so summer never quite fades
The land of palmettos a-shiver in the breeze
Where Spanish moss hangs from the trees
Mockingbirds above, alligators beneath
Panthers and cranes in between
Snakes that slither in the dead grass
A great frontier, America’s last
The land of marshes where the St. Johns winds away
Where it’s always hot so summer never quite fades
The land of palmettos a-shiver in the breeze
Where Spanish moss hangs from the trees
The little school in the backwoods
Where the Baptist church and its white steeple stood
Now it’s strip malls and cookie cutter neighborhoods
And sinkholes that try to swallow them for good
Someday soon it may all be gone
And your kids and mine won’t sail the St. Johns
‘Cause it’s the land of beaches where Jimmy Buffet plays
Where it’s always hot so summer never quite fades
The land of marshes where all those rivers wind away
The vicious land where I spent my young days
“The Paterfamilias”
My hand rests on his chest, rings glitter on my fingers
Now they have grown long, so feminine as they linger
His arm is around me, we’re pressed casually close
It’s wrapped right ‘round my shoulders—real domestic, I suppose
And a therapist would say that it all comes from my father
‘Cause I don’t know what it’s like to be a real man’s daughter
I’ll write the thank you cards and he’ll carry the wood
I’ll bear the children who won’t question if he’s good
I’ll take him to meet my mother and I’ll show him my hometown
We’ll drive ‘round central Florida, see the malls and ruined ground
And a therapist would say that it all comes from my father
‘Cause I don’t know what it’s like to be a real man’s daughter
All the good men I know have wives and daughters of their own
With them I share no blood, no bone
He won’t drink whiskey, no whiskey, wine, nor gin
And we’ll spend time in the country, warm with kith and kin
And a therapist would say that it all comes from my father
‘Cause I don’t know what it’s like to be a real man’s daughter
Perhaps one day I’ll meet this man, who’ll listen and will hold my hand
And we’ll get ourselves a little piece of land
There I’m standing next to him and I’m smaller in comparison
Rhododendrons are in bloom—oh, perpetual June
And a therapist would say that it all comes from my father
‘Cause I don’t know what it’s like to be a real man’s daughter
And any therapist would say that it all comes from my father
‘Cause I don’t know what it’s like to be a real man’s daughter
All lyrics written by Matti Veldhuis.